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With a camera one could paint
very well. Since 2001 I experiment with my so called Lightpaintings.
That is the camera is moved in different ways, depending on the motif, while
the photograph is exposed. Photographs like this show moments not perceptible
with ones eyes. My favourite motifs are flowers, trees and other motifs of
nature. |
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Followers of the Zen say that
one could understand Zen as the eternity of the moment.
In that sense I try to catch moments with my camera one cant usually
notice, but which are real. These quick moments are fixed forever. The viewer
could dip into these timeless moments. The attentiveness is focused on this
one short glance.
So to speak my pictures show visible timelessness, if this is possible at all! |
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My method of photography results
in picturesque, kind of pastel but also abstract pictures.
The effect of these pictures works through the composition of colours and not
through the depiction of reality. My motifs dissolve and flow into colourful
dots, wavy lines, smeared colour prints and confused complexes of colours.
What emerges is a turn down of the realism.
This kind of nature photography shows impressionistic ways, which could be
explored till the outermost borders of possibility. |
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Walter J. Pilsak, Waldsassen, Germany 2006 |

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